Showing posts with label jodie foster. Show all posts
Showing posts with label jodie foster. Show all posts

Tuesday, 31 July 2012

The Silence of the Lambs [Blu-ray]



The Silence of the Lambs [Blu-ray] by Metro-Goldwyn-Mayer

Based on Thomas Harris's novel, this terrifying film with the aid of Jonathan Demme truly handiest comprises a few if fact be told stunning seconds (one involving an autopsy, the opposite a jail break). The remainder of the film is a splatter-free visible and psychological descent into the hell of madness, redeemed astonishingly through an not going connection between a monster and a haunted young girl. Anthony Hopkins is out of the ordinary because the cannibalistic psychiatrist Dr. Hannibal Lecter, virtually entombed in a subterranean jail for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) methods Lecter, requesting his perceptions into the identification and strategies of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the best to penetrate Starling's most painful memories, creating a strange but palpable intimacy that liberates them each under separate however equally horrific instances. Demme, a moviemaker with a uniquely populist imaginative and prescient (Melvin and Howard, Something Wild), additionally spent his early 12 monthss making pulp for Roger Corman (Caged Heat), and he hasn't forgotten the importance of tone, atmosphere, and the unsettling nature of a crudely efficient close-up. Much of the movie, actually, contains actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to some other appear terribly bad.. Read more The Silence of the Lambs [Blu-ray]

Monday, 16 July 2012

Contact [Blu-ray]



Contact [Blu-ray] by Warner Home Video

Condition: New. The opening and shutting seconds of Robert (Forrest Gump) Zemeckis's Contact astonish viewers with the sort of breathtaking conceptual imagery one hardly sees in films these days--each is an expression of the heroine's existencelong quest (both non secular and scientific) to discover the that means of human existence through contact with extraterrestrial existence. The film begins by way of hovering a approachs out into space, then returns dizzyingly to earth until all the stars in the heavens condense into the flicker in one little girl's eye. It finishs with that same girl as an grownup (Jodie Foster)--her search having taken her to positions past her imagination--turning her gaze inward and seeing the universe in a handful of sand. Contact hints the journey between these two visible epiphanies. Based on Carl Sagan's novel, Contact is primarily considerate and provocative for a big-budget Hollywood science fiction image, with elements that keep in mind the whole lot from 2001 to The Right Stuff. Foster's solid performance (and some actually improbable alien hardware) preserve viewers interested, even when the story skips and implyders, or when the halo around the golden locks of rising-star-of-a-different-kind Matthew McConaughey (as the pure-Hollywood-hokum love interest) reaches Milky Way-level wattage. Ambitious, ambiguous, pretentious, unpredictable--Contact is the entirese factors and more. Much of it remains open to speculation and interpretation, but no matter conclusions one ultimately attracts, Contact deserves reputation as a uncommon piece of big-budget studio filmmaking on a non-public scale.. Read more Contact [Blu-ray]